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action actor actress appear art of acting Art Theatre artist audience beauty became become Betterton body called century character comedian comedy comic commedia costume created creative critic director drama dramatist Edmund Kean Edwin Booth effect emotion Epic Theatre experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet heart Henry Irving histrionic human imagination imitation important improvisation inspiration interpretation Kean Lekain living look Macbeth manner master means method Meyerhold Michael Chekhov mind Moliere Moscow Art Theatre movement nature never observation Othello pantomime passion performance person Peter Brook physical play players playwright poet production qualities realistic rehearsals Richard Burbage role scene sensibility Shakespeare soul speak spectator speech stage Stanislavsky Stanislavsky system style success talent Talma Tartuffe technique theatrical thing thought tion tone tradition tragedy tragic true truth voice words wrote young