Hip Hop and Philosophy: Rhyme 2 Reason

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Derrick Darby, Tommie Shelby
Open Court Publishing, Jan 1, 2005 - Music - 233 pages
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Is there too much violence in hip-hop music? What’s the difference between Kimberly Jones and the artist Lil' Kim? Is hip-hop culture a "black" thing? Is it okay for N.W.A. to call themselves niggaz and for Dave Chappelle to call everybody bitches? These witty, provocative essays ponder these and other thorny questions, linking the searing cultural issues implicit — and often explicit — in hip-hop to the weighty matters examined by the great philosophers of the past. The book shows that rap classics by Lauryn Hill, OutKast, and the Notorious B.I.G. can help uncover the meanings of love articulated in Plato's Symposium; that Rakim, 2Pac, and Nas can shed light on the conception of God's essence expressed in St. Thomas Aquinas's Summa Theologica; and explores the connection between Run-D.M.C., Snoop Dogg, and Hegel. Hip-Hop and Philosophy proves that rhyme and reason, far from being incompatible, can be mixed and mastered to contemplate life's most profound mysteries.
  

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Completely wrong. Sexists will use this as a bible. Don't buy it.

Contents

Disk
3
Funky Reflections
14
Knowledge
27
Disk 2
39
Violence and the Art of Keeping
54
Rap Warfare
65
Authenticity Blackness
77
Sex and Sexuality
92
Knowwhatumsayin? How HipHop Lyrics Mean
119
Is Hip Hop One?
133
Ethics
147
Rap Music and Political
161
Retribution Punishment
183
After Word The Philosophy of the HipHop Battle
205
The HipHop Head Index
223
Copyright

The Problem of Maturity
105

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About the author (2005)

Derrick Darby is Associate Professor of Philosophy, University of Kansas.

Tommie Shelby is John L. Loeb Associate Professor of the Social Sciences at Harvard University.

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