Expanded Cinema |
From inside the book
Results 1-3 of 43
Page 210
... moving laterally , horizon- tally , and in some cases vertically . The camera moves in the same way , completely independent of the rest of the machine , or in synchronization with it . I don't know how many simultaneous motions can be ...
... moving laterally , horizon- tally , and in some cases vertically . The camera moves in the same way , completely independent of the rest of the machine , or in synchronization with it . I don't know how many simultaneous motions can be ...
Page 233
... moving in precise synchronization , create an optical tension that induces a strong kinetic empathy in the viewer . The colors alternate between cerulean blue , Mars red , rose madder , and black . A sense of tension and vertigo is ...
... moving in precise synchronization , create an optical tension that induces a strong kinetic empathy in the viewer . The colors alternate between cerulean blue , Mars red , rose madder , and black . A sense of tension and vertigo is ...
Page 253
... moving through the city ; ( 2 ) control the direction of movement over and under bridges , through tunnels , around corners , etc .; and ( 3 ) control visual direction so that , while the vehicle may be moving north the " driver " may ...
... moving through the city ; ( 2 ) control the direction of movement over and under bridges , through tunnels , around corners , etc .; and ( 3 ) control visual direction so that , while the vehicle may be moving north the " driver " may ...
Contents
List of Illustrations | 15 |
Inexorable Evolution and Human Ecology | 37 |
Cybernetic Cinema and Computer Films | 43 |
Copyright | |
56 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic artist audience becomes Beflix black-and-white broadcast Buckminster Fuller called camera Carolee Carolee Schneemann color commercial entertainment computer films concept consciousness cosmic create creative Cybernetic dancers developed earth effect electronic environment exist expanded cinema experience Expo 67 filmmaker frame GENE Gene Youngblood graphic holographic Howard Wise human idea imagery John John Cage John McHale Jordan Belson kinaesthetic kinetic language laser light light pen live machine manipulation medium metaphysical motion movie moving Nam June Paik Nameth nature object optical Paik patterns perception Photo photographed physical picture possible produced projection projectors reality realize recorded Ronald Nameth scan scientists screen sense sequence sexual simultaneously slit-scan sound space Stan Brakhage structure studio synaesthetic cinema Tambellini tape techniques television theatre there's things tion transformed tube universe videographic videotape videotronic viewer vision visual Whitney York