Modern and Post-modern MimeThis series aims to introduce the reader to major 19th and 20th century dramatists, movements and new forms of drama throughout the world. This study examines the contributions of Etienne Decroux, Jean-Louis Barrault, Marcel Marceau and Jacques Lecoq to the development of mime. |
Contents
Jacques Copeau | 17 |
Etienne Decroux | 35 |
JeanLouis Barrault | 60 |
Copyright | |
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abstract acting actor Artaud artist Atelier audience ballet Bellugue Bill Irwin body career century circus clown commedia dell'arte Corinne Soum corporeal mime corporeal-mime costume created d'une mère dancer Denise Boulanger developed director Dorcy drama Dullin Ecole du Vieux elements Enfants du paradis Etienne Decroux expressive Festival film Francisco Mime Troupe gesture Gide important improvisation Jacques Copeau Jacques Lecoq Jean Asselin Jean Dasté Jean-Gaspard Deburau Jean-Louis Barrault Jouvet Marcel Marceau Marie-Hélène Dasté mask McLean interview melodrama Michel Saint-Denis mime performer modern art modern dance modern mime modernist Morteuil moved movement Mummenschanz nineteenth nineteenth-century objective mime painting pantomime paradigm Paris period physical Pitt plays popular post-modern post-modern mime produced programme San Francisco Mime silent pantomime solo sounds speech stage studied with Decroux style synthesis teacher technique theatre theatrical tour Unattributed photograph vaudeville Vaudevillian Vieux Colombier vocal mime voice words wrote young