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How Fiction Works

Front Cover
62 Reviews
Farrar, Straus and Giroux, Jul 22, 2008 - Language Arts & Disciplines - 265 pages
What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step.

The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.

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Woods' own prose style is blessedly lucid. - Goodreads
The writing itself is lucid to the point of lovely. - Goodreads
Characterization has achieved life. - Goodreads
Readers see what makes for good or bad prose. - Goodreads
Wood never addresses plot, or pacing, or even theme. - Goodreads
All too often authors fall back on static imagery. - Goodreads

Review: How Fiction Works

User Review  - Nick Johnson - Goodreads

Perhaps the worst transgression of James Wood's How Fiction works is its title. Make no mistake, this is not a book about how to write a novel. Wood never addresses plot, or pacing, or even theme ... Read full review

Review: How Fiction Works

User Review  - Amy Rae - Goodreads

We're studying this in class, and I am currently writing my response to each of the chapters. I have to be brutally honest here: this book is absolute shit. This is merely Wood's many opinions on how ... Read full review

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About the author (2008)

James Wood is a staff writer at The New Yorker and a visiting lecturer in English and American literature at Harvard. He is the author of two essay collections, The Broken Estate and The Irresponsible Self, and of a novel, The Book Against God.

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