Theatre in Madrid and Barcelona, 1892-1936: Rivals Or Collaborators?
Between 1892 and 1936 Spanish society witnessed many momentous transformations, including the reassertion of a Catalan identity and the emergence of Barcelona as a major industrial and cultural centre. At the same time, theatre in Spain underwent significant changes as teatro poetico and the avant-garde challenged both the naturalistic and commercial theatres.
Theatre in Madrid and Barcelona, 1892-1936 is an account of an exciting period in Spanish cultural history and provides a detailed analysis of the artistic, political and linguistic contexts of Spanish and Catalan theatre before the Spanish Civil War.
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Foreign Theatre in Madrid and Barcelona
Reception of Catalan Theatre in Madrid and Barcelona
Reception of Spanish Theatre in Barcelona and Madrid
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actor actress actriz Adriá Gual artistic audience Barcelona premiere Benavente Bodas de sangre Borras Borras's Burmann Catalan language Catalan nationalism Catalan plays Catalan playwrights Catalan theatre Catalonia Catalunya Chapter Comedia contemporary cultural Diario de Barcelona Diario Universal Diaz de Mendoza Dicenta drama dramatist Dru Dougherty Els vells Enric Borras escena Eslava España European Fontanals Francisca Vilches Garcia Lorca género chico Gual Gual's Guimera Ibsen Iglesies Juan Aguilera Juan Jose L'Esquella language literatura Madrid Madrid and Barcelona Madrid-based Manuel Margarita Xirgu María Mariana Pineda Marianela Martinez Sierra Miquis modernisme noucentisme obra Paral.lel Perez Galdos political popular praises Princesa público reception Rivas Cherif Romea Rusinol Salome Santiago Rusiñol season siglo XX social Spain Spanish theatre stage design teatral Teatre Catala Teatre Intim teatro español Terra baixa theatre in Barcelona Theatre in Madrid theatre practitioners theatrical Torratxa translation Valle-Inclán Vanguardia vida Vilches de Frutos Yerma zarzuela