The Sunday of Life: A Novel

Front Cover
New Directions Publishing, 1977 - Fiction - 180 pages
1 Review
The Sunday of Life, the late Raymond Queneau's tenth novel, was first published in French by Gallimard in 1951 and is now appearing for the first time in this country. In the ingenuous ex-Private Valentin Bru, the central figure in The Sunday of Life, Queneau has created that oddity in modern fiction, the Hegelian naif. Highly self-conscious yet reasonably satisfied with his lot, imbued with the good humor inherent in the naturally wise, Valentin meets the painful nonsense of life's adventures with a slightly bewildered detachment.
  

What people are saying - Write a review

Review: Sunday of Life

User Review  - Lianna - Goodreads

more french stuff Read full review

Review: Sunday of Life

User Review  - Nora Dillonovich - Goodreads

such fun. Queneau is rapidly becoming one of my favorites. Read full review

Selected pages

Contents

Section 1
9
Section 2
35
Section 3
42
Section 4
52
Section 5
60
Section 6
68
Section 7
77
Section 8
87
Section 9
95
Section 10
113
Section 11
130
Section 12
138
Section 13
179
Copyright

Common terms and phrases

References to this book

All Book Search results »

About the author (1977)

This French author of treatises on mathematics and other scholarly works has made his reputation writing comic novels. Raymond Queneau (through one of his characters) once defined humor as "an attempt to purge lofty feelings of all the baloney." Roger Shattuck interprets his philosophy: "Life is of course absurd and it is ludicrous to take it seriously; only the comic is serious." Life is so serious to Queneau that only laughter makes it bearable. He has written a play, screenplays, poetry, numerous articles, and many novels, the first of which, Le Chiendent (The Bark Tree), was published in 1933. In Exercises in Style (1947) he tells a simple anecdote 99 different ways. According to some critics, The Blue Flowers (1965) represents Queneau at his best. Its jokes, puns, double-entendres, deceptions, wild events, tricky correspondences, and bawdy language make it a feast of comic riches. The influence of Charlie Chaplin, as well as James Joyce is detectable in Queneau's fiction.

Bibliographic information