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Foreword to Part One
The Power of Sonority Is Not a Novelty
23 other sections not shown
admirable Allegro Andante appoggiaturas aria arpeggios autograph Bach's bass beautiful Beethoven cadenza Chambonnieres character Chopin clavichord composers counterpoint Couperin dance eighteenth century expression F Major fingers Flat Major flute fortepiano French music G Minor genius gigue Goldberg Variations hand Handel harmony harpsi harpsichord harpsichordists Haydn hear improvised inspired instruments interpretation Italian Concerto J. S. Bach Karl Philipp Emanuel keyboard keyboard instruments Landowska Plays listen Longo Louis Couperin LP HMV LP LP Lully lute masters melodic line melody ment minuet modern movement Mozart musicians musicologists Musique never notes opera orchestra Ordre ornaments passion past performance phrase pianist piano pianoforte piece Polish Preludes and Fugues pupils Quantz Rameau RCA RCA Recorded Paris rhythm Sarabande Scarlatti seventeenth Sharp Minor singing sixteenths solo Sonata sonority strings style Suite taste tempo tender theme tion touch trill violin virtuoso voices Wanda Landowska Well-Tempered Clavier writing wrote