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Achille Weber action Alfred Lunt American analysis apocalyptic structure audience Barber becomes beginning Behrman Bergson Best Plays blocking figures characters Cherrys closural devices closural patterns comedy of manners comic closure comic structure conventional Cornford critics curtain Dennis Dexter drama Dramatic Structure drawing room eiron Elder Olson end of Act End of Summer experience father Feibleman fertility rite festive final Frothingham Frye Frye's Fussell George girls green world Harry's Henri Bergson hero human Idiot's Delight Irene Irene's Laughter Leonie Leonie's Lunt Lynn Fontanne marriage Meredith Mike modern mother myth Mythic Pattern narrative Northrop Frye Olson paradigm Paula perhaps Philadelphia Story Philip Barry playwright plot Press Quillery repetition ritual Robert Robert Emmet Sherwood Robert Sherwood romance Scene sense Seth Sherwood social society specific stage suggests symbolic Sypher temporal theater theatrical tion Tracy Tracy Lord Tracy's tragedy Univ verbal Waldersee wedding whole Wyler York