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affinities Albrecht Diirer alchemistic alien apercu artist assigned attitudes banal basis Beckmann becomes Biennale bone bunch of flowers chariot chose clear coconuts colour comic commissioned conceal concept conferring conjured context contrast contribution dedicated deliberately delight devoid dialogue dictated dogs drawings easily agree economic Egyptian EIGHT CURLICUE PICTURES Emperor Maximilian entertain Environment everything excessive exhibition The Romantic experiences experimental explanatory text exploitation famous figure fire Firmness following form formal German art high humanist illustrated imitation individual pictures informal ironic justification LATERNA MAGICA link logic manner Mary materials medium merely model modern motive notion original ornamental curlicues overall painting palm Palmin panel pictorial picture ground point political Polke's procession programme Prometheus Providence RATIO react relationship repertoire revealed role Romantic Spirit seemed Sigmar Polke significance society Spirit in German style stylistic subject subversion surrealistic teams of horses theme tradition triumphal ture values veil Venice version virtues wonder woodcuts