Moche Fineline Painting from San Josť de Moro

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Cotsen Institute of Archaeology at UCLA, 2007 - History - 199 pages
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Moche civilization flourished on the north coast of Peru from AD 200 to 800. Although the Moche had no writing system, they left a vivid artistic record of their beliefs and activities on intricately painted ceramic vessels, several thousand of which are scattered in museums and private collections throughout the world today. Unfortunately, nearly all were looted by grave robbers so their origin and context are unknown. In recent years, however, through a combination of archaeological excavation and stylistic analysis, it has been possible to identify more than 250 painted vessels from the site of San JosŤ de Moro. To date, this is the largest sample of Moche art from a single place and time. Thus it provides a unique opportunity to identify a distinct sub-style of Moche ceramics, and to assess its range of artistic and technological variation. Moreover, within the sample it is possible to identify multiple paintings by 18 different artists, thus elucidating the range of subject matter that an artist would paint, as well as the variation in the way he would portray the same scene. By discussing and illustrating more than 200 painted vessels from San JosŤ de Moro, this volume provides insights about a community of ancient Peruvian potters who shared a distinctive painting style and left a fascinating record of their achievement.

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User Review  - mochegato - Overstock.com

The book seems less informative and intersting than the last book from Donnan and McClelland, "Moche Fineline Painting: Its Evolution and Its Artists". This book doesn't appear to offer any ... Read full review

Contents

Subject Matter
29
The Moro Artists
161
Conclusions
187
Copyright

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About the author (2007)

Donna McClelland was a research associate in the University of Calfornia, Los Angeles's Moche Archive.

Christopher B. Donnan is Professor of Anthropology at UCLA.

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