Dark Matter: Art and Politics in the Age of Enterprise Culture

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Pluto Press, Dec 15, 2010 - Art - 304 pages
3 Reviews
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalized artists, the
"dark matter" of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it.

Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite.

This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this "dark matter" of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world.

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Review: Dark Matter: Art and Politics in the Age of Enterprise Culture

User Review  - Stefan Szczelkun - Goodreads

Sholette seems to veer from a passionate belief in the disturbing, if not revolutionary, power of dark matter: 'self-organised dark matter inserting itself into the ripped fabric of neoliberal cities ... Read full review

Review: Dark Matter: Art and Politics in the Age of Enterprise Culture

User Review  - Criticalfreeschool - Goodreads

Didn't exactly rock my world; I read chapters 4-6 (which were useful), skimmed the rest. Overall, too much focus on culture jamming experiments of the past, not enough freshness (the book came out in ... Read full review

About the author (2010)

Gregory Sholette is an artist, activist and author based in New York. He has been a co-founder of two artistsí collectives: Political Art Documentation and Distribution (1980-88) and REPOhistory (1989-2000). He has co-edited two books, The Interventionists: Usersí Manual for the Creative Disruption of Everyday Life (2004, with Nato Thompson) and Collectivism after Modernism: The Art of Social Imagination after 1945 (2007, with Blake Stimson).†
†For more information on Gregory Sholette and his work, visit his website: http://www.darkmatterarchives.net/?page_id=502

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