Northern Painting from Pucelle to Bruegel: Fourteenth, Fifteenth, and Sixteenth Centuries |
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Page 39
... spirit that would pull illumination out of its tendency to fall into an elegant mannerism . Such a spirit did appear , though it is still a scholarly question whether it was due to an individual or to that group which has been ...
... spirit that would pull illumination out of its tendency to fall into an elegant mannerism . Such a spirit did appear , though it is still a scholarly question whether it was due to an individual or to that group which has been ...
Page 158
... spirit revealed in the scene . unveiled by the prophets , who pull back curtains at the sides as two awkward peasants stumble onto the stage , one falling to his knees bedazzled by a Child he has not yet seen . The fantastic effect is ...
... spirit revealed in the scene . unveiled by the prophets , who pull back curtains at the sides as two awkward peasants stumble onto the stage , one falling to his knees bedazzled by a Child he has not yet seen . The fantastic effect is ...
Page 197
... spirit as completely as David excluded it . But his calm sonorities were replaced even in Bruges , by the new spirit , despite the continuation of his outlook and manner by his chief follower , Adriaen Isen- brant , and after 1519 by ...
... spirit as completely as David excluded it . But his calm sonorities were replaced even in Bruges , by the new spirit , despite the continuation of his outlook and manner by his chief follower , Adriaen Isen- brant , and after 1519 by ...
Contents
THE FOURTEENTH CENTURY AND THE INTERNATIONAL | 1 |
Bohemia | 44 |
Austria and Germany | 51 |
Copyright | |
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achieved ALBRECHT Altarpiece angels Annunciation Antwerp appears artist attributed background became Berlin Bruges Brussels central century Child Christ church close Collection color completed composition conception continued contrast copy court created dated death detail died drama drawing Dürer earlier early effect elements engraving evident expression Eyck face feeling figures Flemish foreground forms French German greater ground hand head ideas Illumination influence interest Italian Italy John known landscape late later less light Madonna manner Master ment modeling monumentality move movement Museum Nativity nature northern painter painting Panel Paris period perspective plastic portrait possibly presented printing probably religious rich Rogier saint scene seems seen sense shows side space spatial spirit strong strongly style suggests surface symbolic theme tion Triptych turned Virgin visible wing woodcuts