The Library of Babel

Front Cover
David R. Godine, 2000 - Fiction - 36 pages
13 Reviews
Not many living artists would be sufficiently brave or inspired to attempt reflecting in art what Borges constructs in words. But the detailed, evocative etchings by Erik Desmazieres provide a perfect counterpoint to the visionary prose. Like Borges, Desmazieres has created his own universe, his own definition of the meaning, topography and geography of the Library of Babel. Printed together, with the etchings reproduced in fine-line duotone, text and art unite to present an artist's book that belongs in the circle of Borges's sacrosanct Crimson Hexagon - "books smaller than natural books, books omnipotent, illustrated, and magical."

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Review: The Library of Babel

User Review  - Jean Carlton - Goodreads

This was very odd - have read nothing by Borges to date. Very different prose and concepts but I did find myself smiling at the concept only to find out in discussion in class at the University what ... Read full review

Review: The Library of Babel

User Review  - Andrew Pixton - Goodreads

From the On Mysticism compilation- A beautiful analogy of the universe, life, and/or divinity and how they relate to human nature. He created an interesting world, mimicking ours but unique in its own ... Read full review

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About the author (2000)

Born in Buenos Aires, Argentina, in 1899, Jorge Borges was educated by an English governess and later studied in Europe. He returned to Buenos Aires in 1921, where he helped to found several avant-garde literary periodicals. In 1955, after the fall of Juan Peron, whom he vigorously opposed, he was appointed director of the Argentine National Library. With Samuel Beckett he was awarded the $10,000 International Publishers Prize in 1961, which helped to establish him as one of the most prominent writers in the world. Borges regularly taught and lectured throughout the United States and Europe. His ideas have been a profound influence on writers throughout the Western world and on the most recent developments in literary and critical theory. A prolific writer of essays, short stories, and plays, Borges's concerns are perhaps clearest in his stories. He regarded people's endeavors to understand an incomprehensible world as fiction; hence, his fiction is metaphysical and based on what he called an esthetics of the intellect. Some critics have called him a mystic of the intellect. Dreamtigers (1960) is considered a masterpiece. A central image in Borges's work is the labyrinth, a mental and poetic construct, that he considered a universe in miniature, which human beings build and therefore believe they control but which nevertheless traps them. In spite of Borges's belief that people cannot understand the chaotic world, he continually attempted to do so in his writing. Much of his work deals with people's efforts to find the center of the labyrinth, symbolic of achieving understanding of their place in a mysterious universe. In such later works as The Gold of the Tigers, Borges wrote of his lifelong descent into blindness and how it affected his perceptions of the world and himself as a writer. Borges died in Geneva in 1986.

Andrew Hurley is a professor of history at the University of Missouri, St. Louis. Hurley is the author of Environmental Inequalities: Class, Race and Industrial Pollution in Gary, Indiana, 1945-1980 and Common Fields: An Environmental History of St. Louis.

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