Theory and Practice of Hindu Music: And the Vina Tutor |
Common terms and phrases
accent Anupallavi ascending beat beginner called CHAPTER Charanam combinations degrees of sound descending example Exercise explained finger board five fixed fore finger forefinger formed four fret Ga Ri Sa Ga¹ Ga³ Geethas give given Gowla Hindu Music India indicate kinds Krithis left hand letter little finger lower manner Meetu method middle finger names Ni Tha Pa notes octave Pa Ma Ga Pallavi particular played practice produced Ragas represent respectively Ri Ga Ma Ri Ga Ri Ri Sa Sa Ri³ right hand Sa Ni Tha Sa Ri Ga Sa Sa Ni Sahitya scale seven Sthayi strings student Swaras Tala Tha Ni Tha Tha Pa Ma variations Varnams Varusa vibrated Vina ச ச நி ம க ரி ని స మ ప రి స ಗ ಮ ನಿ ರಿ