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adagio Alfred Andersch allegro amulet appears artistic audience Babilee ballerina ballet music Bauhaus Beatrice beautiful become Bertalda brass Caserta changes chords choreographer colour cor anglais costume design counterpoints Covent Garden curtain dancers Danse generale dark decoration deux earthly elements expression feeling Festival final follows forest Frederick Ashton ghosts glissandi Gothic revival harps Huldbrand human ideas imagination instruments landscape later light Lila de Nobili live London Margot Fonteyn Masks Mediterranean melodic mime minutage modern morning motif movements Neapolitan nineteenth century nymph once Ondine call Ondine's opera house Palemon and Ondine percussion instruments piano played possible pure quavers rehearsals rhythm rocking Royal Ballet Scarlatti scene sea-maiden seems set designer shadow dance sinister sketches solo song sound stage with wild story strings studio style swans tempo theatre theatrical theme timpani Tirrenio tone tritons tritons and nymphs trois trumpets variation violins water-ghosts whole orchestra woodwind