Eugene O'Neill, Three Plays: Mourning Becomes Electra, The Iceman Cometh, Long Day's Journey Into Night : a CasebookNormand Berlin |
Contents
General Editors Preface | 9 |
Comment by ONeill | 21 |
Commentators on the 1931 Production | 32 |
Copyright | |
13 other sections not shown
Common terms and phrases
achieved actors Aegisthus Aeschylus Agamemnon American artist audience Bradford Dillman Brant brother characters Christine Clytemnestra confession damned dead death despair drama critic dramatist emotions Eugene O'Neill extract from chapter Ezra fate father feeling final ghost Greek guilt Harry Hope's hate hatred Haunted Hickey Hickey's Iceman Cometh illusions Jamie Jamie's Jason Robards John José Quintero Joseph Wood Krutch Journey Into Night kinship Larry Slade Larry's Lavinia lives Long Day's Journey Mannon Mary Mary's mask meaning modern monologue morphine mother Mourning Becomes Electra murder never O'Neill's plays Orestes Orin pain Parritt past performance permission play's Plays of Eugene playwright poet present production psychological puritanism realisation reality saloon says scene seems sense Shakespeare SOURCE speech St John Ervine Stark Young story Strange Interlude suicide T. S. Eliot talk tells theatrical theme things tragedy tragic trilogy truth Tyrone Tyrone's University words writing York