Figured bass accompaniment in France

Front Cover
Brepols, 2000 - History - 303 pages
0 Reviews
This comprehensive study of French basse continue practice supplements an already sizeable body of literature on thoroughbass accompaniment, the emphasis of which has clearly been on Italian and German theoretical works. The numerous French accompaniment treatises written during the XVIIth and XVIIIth centuries seem to have been, with only a few choice exceptions, unjustifiably dismissed by many modern scholars as little more than harmonic tutors, and the discipline of musicology -- particularly as it relates to historical performance practice -- has definitely suffered as a result. These works certainly do not deserve such a fate, for they provide not only unique documentation of French harmonic theory as it evolved over the course of more than a century, but a wealth of important information regarding XVIIth- and XVIIIth-century French performance practice as well. It is the aim of this study to give as full an accounting as possible of basse continue performance as it is documented in the numerous XVIIth- and XVIIIth-century treatises produced in France, beginning with Nicolas Fleury's Methode pour facilement a toucher le theorbe sur la basse-continue (1660) and continuing through Pierre-Joseph Roussier's Traite des accords, et de leur succession (1764) and his L'harmonie pratique, ou exemples pour le Traite des accords (1775). The issues dealt with in the treatises are treated systematically, and provide the framework for the entire study.

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

French Accompaniment
1
ChapterTwoThe Continue Group
37
Fundamental Practices
63
Copyright

6 other sections not shown

Common terms and phrases

Bibliographic information