Women and Film: Both Sides of the Camera""Written with unequivocal enthusiasm for film, feminism and theory, ""Women and Film"" is a welcome and useful guide to a complex area.""--""The Arts"" |
Contents
Introduction | 1 |
Is the gaze male? | 23 |
Fetishism and the repression of Motherhood in Von Sternbergs | 49 |
Copyright | |
13 other sections not shown
Other editions - View all
Common terms and phrases
analysis Armand audience avant-garde avant-garde theory film Bannister Blonde Venus bourgeois camera Camille chapter child cinema cinematic strategies Citron's Claire Johnston constructed culture Daughter-Rite desire diegesis Dietrich directors discourse discussion documentary dominant Duras Elsa fantasies father female sexuality female spectator feminine feminist film critics feminist film theory fetishism film's filmmakers Freud Goodbar Grisby Hayworth Helen heroine Hollywood Hollywood films ibid ideology interview Juliane Jump Cut Kristeva Lady from Shanghai language Laura Mulvey lives look male gaze male spectator Margarethe Von Trotta Marguerite Marianne Marianne and Juliane melodrama Mimi mirror mother Motherhood Mulvey and Wollen narration narrative Nathalie Granger O'Hara object Oedipal patriarchal pleasure political position problems psychoanalytic questions realist reflects relationship representation represents scene screen shots Sigmund Freud's Dora social Sphinx structures symbolic Teresa theoretical Thriller Trotta voice voice-over woman women women's cinema York Yvonne Rainer