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The Beginnings of Tragedy of the History
Early Elizabethan Tragedy Thomas
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achievement acted action actor Antony and Cleopatra audiences Beggar's Opera Ben Jonson blank verse career Chapman character chronicle play classical Cleopatra collaboration comedy of manners comic conception Congreve contemporary contrived Court courtly criticism developed dialogue discovered dramatist Dryden earlier plays early effective eighteenth century elaborate elements Elizabethan employs England English Drama entertainment farce figures Fletcher Folio followed G. B. Shaw genius Hamlet Henry History of English history play human humours interlude intrigue John Jonson King Lady language later London Lyly main plot Marlowe Marlowe's marry Massinger medieval melodramatic mind mood morality plays motives Opera original outstanding patent theatres pathos performed players poetic popular presentation produced Quarto realism remains revenge romantic satire scene seems Sejanus Senecan Senecan tragedy sentiment Shakespeare Shakespearian Shaw Sheridan Short History shows stage story success Tamburlaine theatrical theme tion tradition tragi-comedy tragic Volpone Webster whole wife woman writers wrote