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Lee Strasbergs Use of Exercises and Techniques
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able acting action Actors Studio actually affective memory Ann Bancroft approach April April 11 artistic attitude audience aware basic become begin character Cheryl Crawford Clurman concentration concerned conscious craft create creative criticism difficulty director discussed drama educational theatre elements Elia Kazan emotion energy exercise experience expression external feel Geraldine Page gibberish give Group Theatre happens Harold Clurman human idea imagination improvisation impulse individual inner kind of thing Lee Strasberg Marlon Brando Maureen Stapleton means ment Method actors movement never objects October 21 performance person physical play playwright private classes problem production professional realistic reality relax role Rosemary Murphy scene seems sense memory sensory Session speech stage Stanislavsky Stanislavsky System Strasberg explains style talent talk teachers teaching technique tempo-rhythm tension theatrical there's thought tion Transcription truth voice words York young actors