A History of the American Avant-garde Cinema: A Film ExhibitionThis book surveys avant-garde cinema from 1943 to 1972 and includes the work of Alexander Hammid, Willard Maas, Kenneth Anger, Maya Deren, Sidney Peterson, Ian Hugo, Stan Brakhage, Shirley Clarke, Bruce Conner, Robert Breer, Stan Vanderbeek, Maria Menken, Ken Jacobs, Bruce Baillie, Tony Conrad, Jordan Belson, George Landow, James Whitney, Michael Snow, Paul Sharits, Standish D. Lawder, Larry Jordan, Robert Nelson, Ernie Gehr, Barry Gerson, Hollis Frampton. |
Contents
Preface by Willard Van Dyke | 9 |
The American AvantGarde Film by John G Hanhardt | 19 |
Chronology 19431972 Prepared by John G Hanhardt | 49 |
Copyright | |
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Common terms and phrases
Adams Sitney aesthetic American avant-garde Annette Michelson artists avant-garde avant-garde film Bleu Shut Brakhage's Bruce Baillie camera movement cinema Circus context create CRUZ The University Diploteratology Dog Star dream Dwoskin Edge Lettering editing Emshwiller Ernie Gehr experience Film Culture film's filmic Fireworks Flicker footage formal George Landow Gerson Gidal Hapax Legomena Harry Smith Hollis Frampton Hugo illusion images interior Jonas Mekas Jordan Ken Jacobs Kenneth Anger Lawder light Markopoulos material Maya Deren medium Menken ment Meshes metaphor minutes Mother's Day motion Movie narrative Nelson objects painting patterns Paul Sharits perception photograph projection Riddle of Lumen Robert Breer SANTA CRUZ screen sequence Serene Velocity Sexual Meditation shape shot Song space Sprocket Holes Stan Brakhage structural film superimposition Surrealist techniques temporal tion Tony Conrad traditional transformations University Library UNIVERSITY Vanderbeek viewer vision Visionary Film visual Warhol Whitney Willard Maas window Yalkut York zoom