This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London's Whitechapel Gallery brings together artists as different as Matthew Barney, Gregor Schneider, Louise Bourgeois, and Douglas Gordon; its intent is not to use "the Gothic" to group together dissimilar artists but rather to shed light on a particular understanding of their practice. Anthony Vidler looks at ideas of the uncanny to explore Rachel Whiteread's House, and Jeff Wall uses the motif of vampirism to analyze fellow artist Dan Graham's Kammerspell; Hal Foster considers Robert Gober's recent workóladen with Christian symbolism, criticism of America as a nexus of power, and fragmented bodiesóas an updated American Gothic, and Kobena Mercer examines the Gothic's depiction of the Other in relation to Michael Jackson's pop video Thriller. Texts by artists including Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese, and Catherine Sullivan are complemented by extracts from Walpole's genre-establishing gothic novel The Castle of Otranto, William Gibson, Bret Easton Ellis, and Stephen King, among others, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner, and Slavoj Zizek. The Gothic provides the first comprehensive overview of the uses of Gothic in contemporary visual culture.
Matthew Barney, Louise Bourgeois, Tacita Dean, Sue de Beer, Janet Cardiff, Mark Dion, Stan Douglas, Robert Gober, Douglas Gordon, Dan Graham, Damien Hirst, Mike Kelley, Paul McCarthy, Teresa Margolles, Jonathan Meese, Raymond Pettibon, Paul Pfeiffer, Gregor Schneider, Cindy Sherman, Catherine Sullivan, Andy Warhol, and Jane and Louise Wilson.
Jean Baudrillard, Elizabeth Bronfen, Edmund Burke, Carol Clover, Beatriz Colomina, Douglas Crimp, Jacques Derrida, Richard Dyer, Umberto Eco, Bret Easton Ellis, Trevor Fairbrother, Alex Farquharson, Hal Foster, Michel Foucault, Sigmund Freud, William Gibson, Christoph Grunenberg, Bruce Hainley, Judith Halberstam, Amelia Jones, Jonathan Jones, Mike Kelley, Julia Kristeva, Jacques Lacan, Patrick McGrath, Kobena Mercer, James Meyer, Edgar Allan Poe, Andrew Ross, Jerry Saltz, Eve Kosofsky Sedgwick, Mary Shelley, Nancy Spector, Robert Louis Stevenson, Anthony Vidler, Jeff Wall, Horace Walpole, Marina Warner, Anne Williams, and Slavoj Zizek.
Copublished with Whitechapel Art Gallery, London
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A THEMATIC FRAMEWORK020
A SHORT HISTORY OF THE GOTHIC
DEATH EXCESS AND TERROR064
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aesthetic American architecture artists beautiful become blood body character colour Contemporary Art corpse culture curated cyberpunk Damien Hirst dark dead death desire double Douglas Gordon essay evil example excerpt exhibition eyes fantasy father fear feel female fiction figure Final Girl footnote Frankenstein Gallery gender Gober Gothic Conventions Gothic novel Gregor Schneider haunted horror film human Ibid installation Jacques Janet Cardiff Jeff Wall judgement killer kitsch Lacan living London look Louise Bourgeois male mannequin Mary Shelley masculinity meaning metaphor Michael Michel Foucault Mike Kelley mirror modern monster monstrous Museum Nancy Spector narrative nature nineteenth-century object painting photographs piece play Psychoanalysis represent Robert scene sculpture secret sense sexual Sigmund Freud signifier skull slasher Slavoj Zizek social soul space Stan Douglas story sublime surface symbolic Tacita Dean terror themes things trans trauma truth uncanny vampire Warhol writing York Zizek