Light and Film
Once a photographer has a camera in his hands, he encounters a formidable array of technical and esthetic choices that arise from the two ingredients that make a picture: light and film. The aim of this book is to unravel these mysteries by clearly explaining basic facts about light and how it acts.
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angle aperture areas ARNOLD NEWMAN black-and-white film blue Brady built-in meters bulbs calotype clouds coating collodion color film correct exposure Courtesy create Daguerre daguerreotype dark detail developed drawings by Walter Eastman electronic flash emulsion energy exposed fast films Fenton filter flash units floodlights glass graininess gray green HARALD SUND Henry Groskinsky highlights HJ Commercial Art illumination infrared Jackson layer lens light reaching light waves light-sensitive lighting ratio Mathew Brady metal molecules negative Niepce photogra photographer pictures at right Pierre Haubensak portrait printing produce Ralph Morse range reaching film record reflected reflector ROGER FENTON scene sensitive sensitivity speck shaded shadows shot shutter speed silver bromide silver bromide crystals silver iodide silver nitrate spectrum spotlight surface take pictures Talbot TIME-LIFE tographers tones ture underexposed view camera visible Walter Hilmers Jr wavelengths wet plates yellow zone