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the stage as a world
realism and reality
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accepted achieved actor Adolphe Appia Aeschylus aesthetic American Appia architecture Aristophanes Art Theatre artist Athenian Athens attempt audience back-drop background beauty become canvas classic colour comedy contemporary costumes Craig create critics decoration director dramatic dramatist Duke Duke of Saxe-Meiningen effect elaborate electric emotional Euripides experience expression fact feet gods Greek theatre Hamlet Heaven hero human ideas illusion imagination imitation important less light Liliom living Macbeth Marco Millions mask Meiningen methods modern theatre Moliere Moscow Art Theatre never nineteenth century opera painted painter palace performance pictorial play players playhouse playwright poet poetic poetry popular production proscenium realism reality rehearsal Renaissance reproduced revival Robert Edmond Jones romantic scene scene-designer scene-painter scenery scenic design script seems Shakespeare Sophocles space spectators speech stage picture stage setting stage-craft stage-directions successful symbolic Theatre Guild Theatre Libre theatre's theatrical tion tragedy tragic typical York