Orson Welles's Citizen Kane: A Casebook

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James Naremore
Oxford University Press, 2004 - PERFORMING ARTS - 291 pages
2 Reviews
Citizen Kane is arguably the most admired and significant film since the advent of talking pictures. No other film is quite so interesting from both artistic and political points of view. To study it even briefly is to learn a great deal about American history, motion-picture style, and the literary aspects of motion-picture scripts. Rather than a sterile display of critical methodologies, James Naremore has gathered a set of essays that represent the essential writings on the film. It gives the reader a lively set of critical interpretations, together with the necessary production information, historical background, and technical understanding to comprehend the film's larger cultural significance. Selections range from the anecdotal --Peter Bogdanovich's interview with Orson Welles--to the critical, with discussions on the scripts and sound track, and a discussion of what accounts for the film's enduring popularity. Contributors include James Naremore, Peter Bogdanovich, Jonathan Rosenbaum, Robert L. Carringer, François Thomas, Michael Denning, Laura Mulvey, Peter Wollen, and Paul Arthur.

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Review: Orson Welles's Citizen Kane: A Casebook

User Review  - Kate - Goodreads

Quite a good collection of essays, although there were some I disagreed with in bits and some I disapproved of almost wholly. One or two things mentioned that just Weren't True, but I won't name names ... Read full review


Interview with Orson Welles
Editors Notes to the Welles Interview
The Scripts of Citizen Kane
Style and Meaning in Citizen Kane
The Sound Track
Orson Welless Allegories of AntiFascism
From Log Cabin to Xanadu
Citizen Kane
Citizen Kane Modernism and the AvantGarde Impulse
Suggested Reading
Production Credits

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About the author (2004)

James Naremore is Chancellors' Professor of English & Communication and Culture at Indiana University.

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