Film Music: A Summary of the Characteristic Features of Its History, Aesthetics, Technique; and Possible Developments |
Contents
Showbooth and primitive soundfilm page | 25 |
page | 31 |
page | 78 |
Copyright | |
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acoustical aesthetic already Arthur Arthur Honegger artistic audience Berlin British film CALIFORNIA/SANTA CRUZ character chestra cinema orchestra compilation concert conductor connection course dialogue documentary films dramatic effect Eisler electrical example experiments facing Facsimile film composers film music film production film strip film-musical future gas-discharge lamp Giuseppe Becce gramophone recording Hanns Eisler Honegger idea illustration Karol Rathaus kind Kinothek loudspeaker means mechanical ment method micro microphone microphone instruments microphone orchestra modern musi musical accompaniment musical film musical form noises opera operetta Paul Dessau performance period piano picture pieces plastic played players possible principle problem produced programme music reproduction requirements resonance reverberation rhythm rhythmic rhythmonome Sarnette saxhorns scenes score screen sections silent film song hit sound sound-film sound-film operetta sound-on-disc sound-on-film sound-recording sound-recordist stage strings strumental studio style symphonic synchronisation synchronism technical technique theatre theme-song tion to-day tone traditional ture UNIVERSITY OF CALIFORNIA/SANTA violins whole