Wired Shut: Copyright and the Shape of Digital Culture

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MIT Press, 2007 - Business & Economics - 395 pages
2 Reviews
Winner, ICA 2009 Outstanding Book Award given by the International Communication Association. and Winner, 2009 CITASA Book Award given by the Communication and Information Technologies Section of the American Sociological Association

While the public and the media have been distracted by the story of Napster, warnings about the evils of "piracy," and lawsuits by the recording and film industries, the enforcement of copyright law in the digital world has quietly shifted from regulating copying to regulating the design of technology. Lawmakers and commercial interests are pursuing what might be called a technical fix: instead of specifying what can and cannot be done legally with a copyrighted work, this new approach calls for the strategic use of encryption technologies to build standards of copyright directly into digital devices so that some uses are possible and others rendered impossible. In Wired Shut, Tarleton Gillespie examines this shift to “technical copy protection" and its profound political, economic, and cultural implications.

Gillespie reveals that the real story is not the technological controls themselves but the political, economic, and cultural arrangements being put in place to make them work. He shows that this approach to digital copyright depends on new kinds of alliances among content and technology industries, legislators, regulators, and the courts, and is changing the relationship between law and technology in the process. The film and music industries, he claims, are deploying copyright in order to funnel digital culture into increasingly commercial patterns that threaten to undermine the democratic potential of a network society.

In this broad context, Gillespie examines three recent controversies over digital copyright: the failed effort to develop copy protection for portable music players with the Strategic Digital Music Initiative (SDMI); the encryption system used in DVDs, and the film industry's legal response to the tools that challenged them; and the attempt by the FCC to mandate the "broadcast flag" copy protection system for digital television. In each, he argues that whether or not such technical constraints ever succeed, the political alignments required will profoundly shape the future of cultural expression in a digital age.

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Review: Wired Shut: Copyright and the Shape of Digital Culture

User Review  - Adam Ross - Goodreads

Fantastic book on the problems of DRM (Digital Rights Management) as an alternative to copyright. Very, very good. Read full review

Review: Wired Shut: Copyright and the Shape of Digital Culture

User Review  - Ramona - Goodreads

Gillespie has a strong opinion tending toward Larry Lessig, though he doesn't advocate as heavily as Lessig. A little back and forth, but snappy chapter titles. Read full review

Contents

The Copyright Balance and the Weight of DRM
21
The Speed Bump
65
A Heroic Tale of Devilish Piracy and Glorious Progress by Jack
105
Copyright

8 other sections not shown

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About the author (2007)

Tarleton Gillespie is Assistant Professor in the Department of Communication at Cornell University, with affiliations in the Department of Science and Technology Studies and the Information Science program. He is also a Fellow with the Center for Internet and Society at Stanford Law School.

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