What people are saying - Write a review
We haven't found any reviews in the usual places.
Appendix to Chap II concerning th Motions
Of Confonancy and Dijfonancy III 3 1
Of proportion V
8 other sections not shown
3d Minor 6th Major 6th Minor Acute added Antecedent Arithmetical ascend Baft Bass bearing Fifth Cadence call'd CHAP Chro Chromatic Comma common Chord compounded Concords consequently COnsonancy and Dissonancy Consonant Consort contain'd Courses and Recourses Degrees descend Diapason Diapente DiatejJ'aron Diatonic Genus Diesis Difference Discords Dissonancy Ditone divided double Pendulum Duple Eighth Enharmonic equal Example extream Sharp Flat and Sharp Fourth give Gravity greater Numbers greatest Harmonick Harmony Harpsichord hath Hemi Hemit Hemitone Major Heptachord Hexachord Instrument Intervals joyn'd least Length mark'd Measure Mediety Medium mention'd Meson Minus mitone Monochord Moods Motions Music Mustek Note Octave Pendulum prepar'd proper Proportion Radical Numbers Scale Seventh Sharp Key shew Sixth minor Sound Space String subduple Tension Terms tervals Tetrachord ther Third Major Thorow-Bass tions Tone Maj Tone major Tone Minor Trembling Trihemitone triple Tritone Tune Unison Velocity Vibrations