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ability achieve acting action ADAM FLETCHER analyze asked audience auditioner AUDITIONING FOR TV BACK basic better Blank verse boom mike broadcast career CARROL casting director CEMENT cerning choose clairvoyance CLOSE Communication Arts Books CONT create CROSSFADE cues definite degree DESK determine dialect dialogue DISSOLVE DOOR Douglas MacCrae dramatic effective Elizabeth emotion experience pattern FACE FADE feel film floor manager HAND hear HENRY HENRY LAWTON imagination improvisation interpretation interview KINESCOPE LANTERN listen live LOOKS material medium MEDIUM SHOT ment microphone MIKE movie MUSIC NBC-TV nervousness pace pantomime PAUSE performance person persuasion device play character practice profession props radio RECTANGLE reflexes Robert Montgomery scene screen script SHOT sight reading sincerity situations SOUND speech conduct stage STAIRS station studio success SUPERIMPOSITION SWITCH TO CAMERA talent tele television actor television play tell tion usually verbal ruts VIDEO AUDIO viewer voice