The Comics Journal: Winter Special, 2003

Front Cover
Fantagraphics Books, 2003 - Comics & Graphic Novels - 180 pages
0 Reviews
The third in The Comics Journal's series of oversized coffe-table volumes, this lush collection of art, comics and commentary kicks off with a gigantic, career-spanning interview with legendary illustrator (and cover artist) William Stout, complete with copious illustrations and paintings. There's also an extensive appreciation of the cartoon work of noted humorist James Thurber (including a gallery of Thurber cartoons and a four-page comics tribute by Ivan Brunetti), Paul Gravett's remembrance of the seminal British indy-comix magazine Escape (complete with new strips drawn just for this volume by many of that magazine's noted cartoonists), critical appreciations of numerous fine cartoonists (Lynda Barry, Tom Hart, Michael Kaluta, and more) by the cream of our best critics -- and, as if that weren't enough, a 70-page comics section on the theme of "patriotism," with contributions by Joe Sacco, Phoebe Gloeckner, Bill Griffith, Megan Kelso, Peter Bledvag, Carol Swain, Gilbert Shelton, Penny Van Horn, Ho Che Anderson and many, many more!

What people are saying - Write a review

We haven't found any reviews in the usual places.

About the author (2003)

Gary Groth is the co-founder of The Comics Journal and Fantagraphics Books. He lives in Seattle.

A Fulbright scholar, Anne Elizabeth Moore is the Truthout columnist behind Ladydrawers: Gender and Comics in the US, and the author of Cambodian Grrrl: Self-Publishing in Phnom Penh (Cantankerous Titles, 2011), Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity (The New Press, 2007) and Hey Kidz, Buy This Book (Soft Skull, 2004). She was co-editor and publisher of the now-defunct Punk Planet, and founding editor of the Best American Comics series from Houghton Mifflin. She has twice been noted in the Best American Non- Required Reading series. Moore teaches at the School of the Art Institute of Chicago. She has lectured around the world on independent media, globalization, and women's labor issues, and the artist recently mounted a solo exhibition at the Museum of Contemporary Art in Chicago.

Bibliographic information