The apocalyptic imagination in medieval literature
University of Pennsylvania Press, 1992 - Literary Criticism - 244 pages
During the Middle Ages, the Apocalypse, or Book of Revelation, was believed to contain both the grand design of sacred history and the disguised history of the Present and future. In The Apocalyptic Imagination in Medieval Literature, Richard K. Emmerson and Ronald B. Herzman explore die pervasiveness of apocalypticism in medieval literature through close readings of a group of major texts not generally considered from an apocalyptic perspective.
Emmerson and Herzman present a new reading of Bonaventure's Major Life of Francis of Assisi, a key document in the Franciscan tradition. In their examination of the Romance of the Rose, they argue that allegorical romance takes a surprising turn toward contemporary social criticism, a criticism informed by a sophisticated and subtle use of the apocalyptic tradition. The authors also contend that while the apocalyptic language of the Divine Comedy is more obvious, its significance has not been systematically studied, and that The Canterbury Tales, all but ignored from an apocalyptic perspective, are infused with significant apocalyptic dimensions.
The Apocalyptic Imagination in Medieval Literature offers a broad and comparative focus, and it should be of value not simply to students of medieval literature but to the broader audience of those interested in medieval intellectual history, art history, and religious history as well.
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Jean de Meuns Apocalyptic
Apocalypse Church and Dantes
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age of hypocrisy allegorical allusion Amant Angel Anselm of Havelberg Antichrist Apoc apoca apocalypticism argues associated Augustine Babylon Beast biblical Bonaventure Canterbury canto chapter Chaucer Christ Christian Church history Commedia contemporary Dante Dante's death deceiver Dragon Elijah Emmerson eschatological evil example exegesis exegetes Expositio false Faus Semblant figure Francis Francis's Franciscan fresco friars Guillaume Guillaume de Saint-Amour heaven Herzman Holy Spirit iconography identified imagery Inferno 19 interpretation inversion Jean de Meun Joachim of Fiore John last days Legenda Maior Ludus de Antichristo lyptic Magus and Antichrist McGinn medieval apocalyptic imagination Middle Ages Nero noted Pardoner Pardoner's parody pattern Peter Piers Plowman pilgrim pilgrimage poem poem's poet polemical portrayed Princeton Prologue prophecies prophet quod renovatio Roman Rose salvation history scriptural sicut Signorelli Simon Magus simoniac simoniac popes simony sixth seal specific spiritual stigmata Studies suggests super symbolism Tale Testament tradition trans understanding University Press vision