Enfoldment and Infinity: An Islamic Genealogy of New Media Art
In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought.
Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur’an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.
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The Haptic Transfer and the Travels of the Abstract Line Part I
The Haptic Transfer and the Travels of the Abstract Line Part II
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Abbasid abstract line algorithmic Alois Riegl aniconism animal arabesque Arabic Architecture argues artists artworks atomism baroque beautiful body Brethren of Purity Cairo caliphate Cambridge Caucasian carpets century chapter cinema color complex concept contemporary culture decorative divine dome Ettinghausen European example Fatimid figure film forms geometric Gilles Deleuze Grabar haptic haptic space human Ibid immanent infinite infinity interface Iran Isfahan Islamic aesthetics Islamic Architecture Islamic art Islamic Calligraphy Islamic Philosophy Islamic thought Isma'ili kalâm Kufic Laura Marks letters mathematical media art medieval mihrab Mosque motifs Mu'tazila Muhammad muqamas muqarnas Museum Muslim world mysticism Necipoglu networks objects Ocean's Thirteen Oriental Carpets ornament Ottoman painters painting patterns perception Persian Philosophy pixel political Qur'an relationship religious Riegl script Shi'a subjective Sufi surface Tabbaa textiles theory things trans translation unfolding unity University Press vector viewer virtual visual Western words writing York zâhir