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Michelangelo and his family
NOTES TO PART I
3 other sections not shown
Accademia aesthetic aggression angelo anxiety architecture articulation artist attitudes Bargello beauty beloved Black chalk block body British Museum brother Buonarroto cartoon carved Casa Buonarroti Cavalieri Christ classical conception Condivi course culture death depression drawings emotional experience expression eyes fantasies father feeling figure Flemish painting Florence Florentine fresco Hartt heroic homogeneous humanist iconographic ideal Julian tomb Julius Last Judgment less letter light Lionardo live Ludovico Luigi del Riccio Madonna madrigal marble matter Medici chapel ment Michel Michelangelo Michelangelo Buonarroti Neoplatonic nude object omnipotent painting Panofsky passion passive perhaps Pieta Plate poems poet poetry Pope Quattrocento refer relief Renaissance Rome San Lorenzo sculpture Sebastian Sebastiano del Piombo sense sensuous Sistine ceiling Sistine chapel Sistine vault sonnet soul stone strength style suggest symbolism texture theme tion to-day Tolnay Vasari Vatican City Virgin visual art Vittoria Colonna whereas Windsor wrote