Dracula: Authoritative Text, Backgrounds, Reviews and Reactions, Dramatic and Film Variations, Criticism

Front Cover
W W Norton & Company Incorporated, Jan 1, 1997 - Fiction - 492 pages
139 Reviews

A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.

Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijsktra, Stephen D. Arata, and Talia Schaffer.

A Chronology and a Selected Bibliography are included.

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The writing style was obmoxious at best. - Goodreads
And, the ending was a bit anti-climactic. - Goodreads
Smart, suspenseful and expert character development. - Goodreads
The plot itself was only so-so. - Goodreads
The language and writing was amazing throughout. - Goodreads
There aren't HUGE plot leaps. - Goodreads

Review: Dracula

User Review  - Leonard - Goodreads

In Dracula, Bram Stoker, amid the rising demand for women's equality, tried to portray Mina as the new breed of woman who has "come of age." She is an assistant schoolmistress and therefore might not ... Read full review

Review: Dracula (Oxford Bookworms: Stage 2)

User Review  - Naoki Atsumi - Goodreads

5/21=85min. man, mountain, blood, dracula, doctor, fear, life Can you believe the Dracula? This book is the story of Dracula. The sentence was in the book. I thought Dracula will never in front of me ... Read full review

All 114 reviews »

About the author (1997)

Bram Stoker was born in Dublin, the son of a civil servant. Although a semi-invalid as a child, he went on the gain a reputation as a fine athlete at Trinity College, where he also excelled in mathematics and philosophy. Stoker worked as a civil servant and a journalist before becoming the personal secretary of the famous actor Henry Irving. He also wrote 15 works of fiction, only one of which is very memorable - Dracula (1897). This work, involving hypnotism, magic, the supernatural, and other elements of gothic fiction, went on to sell over one million copies and is still selling strongly today. So well known has his fictional character become that today it is possible to visit the castle of Count Dracula in the Transylvanian region of Romania, a country that Stoker never visited. Several film versions of the story, both serious and comic, have made Stoker's work a part of modern mythology. His novel The Lair of the White Worm (1911) has also been made into film. It and the novel The Lady of the Shroud are, like Dracula, fantastic tales of horror.

Nina Auerbach is John Welsh Centennial Professor of History and Literature and Professor of English at the University of Pennsylvania. She is the author of Communities of Women: An Idea in Fiction ; Woman and the Demon: The Life of a Victorian Myth ; Romantic Imprisonment: Women and Other Glorified Outcasts ; Ellen Terry, Player in Her Time ; Private Theatricals: The Lives of the Victorians ; and Our Vampires, Our Selves . She is co-editor, with U. C. Knoepflmacher, of Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers .

David J. Skal is a respected scholar of all things macabre. A frequent talk-show guest and lecturer, his many media appearances include "The CBS Evening News," " Joan Rivers," "Charlie Rose," and NPR's "All Things Considered." He is the author of The Monster Show, Hollywood Gothic, and Dark Carnival. He has written, produced and appeared in a variety of film and television documentaries on occult and pop-culture subjects.

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