The Audition Book
If you are in actor, no matter how successful or well-known, you have to audition. Being able to do it is still the best way to break into theatre, film and television. But not all auditions are alike. A television commercial must be approached differently from a movie or stage show.
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Foreword by Richard Thomas
PART ONEAUDITIONING BASICS
18 other sections not shown
actress actually AFTRA agency anyway audi audience audition room Automatic Dialogue Replacement career casting direc casting director casting session CD-ROM character cials client cold reading commercial audition computer games copy corporate films cue card demo tape episode Equity Association franchised front give hair headshot hired Hollywood industry interview involve kind live look Meryl Streep monologues movies and TV Neil Simon never nice nonactor okay on-camera once percent performers person photo and resume picture play pre-screen producers professional reading rehearsal Remember role scene Screen Actors Guild script shoot shot sitting situation soap operas someone spot stage manager star Stella Adler Street studio sure talent agents talk television tell theater Theatrical Photos thing tion TV shows union usually videotape videotape camera voice watch wear York
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