Aesthetics: A Reader in Philosophy of the ArtsDavid Goldblatt, Lee Brown For courses in Aesthetics. Unique in perspective, this collection of nearly 90 readings is designed to introduce students at any level of sophistication to the philosophical problems of aesthetics as they pertain to specific arts e.g., Painting, Photography, Music, Film and Video Art, etc. It reflects the tendency to resist thinking of art as an abstract whole and to acknowledge the diverse character of philosophical thinking about individual arts. |
From inside the book
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Page 2
... painting . One might say that , for Greenberg , the subject of modernist paint- ing is painting itself . Kendall Walton tries to alter the terms of the discussion about pictor- ial truth by taking a different approach . Consider ...
... painting . One might say that , for Greenberg , the subject of modernist paint- ing is painting itself . Kendall Walton tries to alter the terms of the discussion about pictor- ial truth by taking a different approach . Consider ...
Page 52
... painter and the basic artistic action was painting ( not copying , imitating , representing , stating , but painting ) . The artist , as in the descrip- tion by Harold Rosenberg , uses the canvas as an arena ; he makes upon it a swipe of ...
... painter and the basic artistic action was painting ( not copying , imitating , representing , stating , but painting ) . The artist , as in the descrip- tion by Harold Rosenberg , uses the canvas as an arena ; he makes upon it a swipe of ...
Page 137
... painting and architecture both have space as their funda- mental formal category , but the modes of space present and experienced in each are wholly distinct . We often call painting two - dimensional but this only loosely identifies ...
... painting and architecture both have space as their funda- mental formal category , but the modes of space present and experienced in each are wholly distinct . We often call painting two - dimensional but this only loosely identifies ...
Contents
Form in Modern Painting Clive Bell | 10 |
AmericanType Formalism David Carrier | 23 |
Reality Remade Nelson Goodman | 40 |
Copyright | |
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Other editions - View all
Aesthetics: A Reader in Philosophy of the Arts, Volume 3 David Goldblatt,Lee B. Brown No preview available - 2011 |
Common terms and phrases
abstract abstract expressionism action actual Adorno aesthetic African-American architect architecture argues artist artworks audience beauty called camera Cézanne character color concept context criticism culture dance David Goldblatt Deconstruction derivative examples distinction dramatic Eisenman emotion essential example excerpt experience expression fact feel film function Hamlet human idea illusion imagine imitation interest interpretation joke Kendall Walton kind kitsch literary literature look means ment metaphor modern Modernist motion movement nature Noël Carroll object ornament painting perceive performance person philosophy photograph picture Plato play poetry popular art popular music pornography postmodern question reference relation representation representational art reprinted by permission rhythm Richard Shusterman Roger Scruton role sculpture seems sense simply social sound space speak structure Suzanne Langer symbolic taste television theater theory things thought tion traditional tragedy ture understanding ventriloquism visual words