Music in Bali: Experiencing Music, Expressing Culture, Volume 2Music in Bali is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Bali introduces the ensemble tradition of Balinese music, reflecting cooperative aspects of the island's social organization. Drawing on many years of study with Balinese performers in the United States and extensive fieldwork in Bali, author Lisa Gold presents contemporary Balinese performance within its cultural and historical context, linking Bali's rich past to its current role in modern, globalized society. She illustrates how new compositions borrow material from earlier traditions while also allowing for individual expression and innovation in vibrant present-day culture. By describing various performances--from a temple ceremony, to a shadow puppet performance, to a masked dance drama--Music in Bali surveys a wide range of performance contexts, from the highly sacred to the secular. It looks at the interconnected layers of the Balinese musical tradition, showing how the island's music, dance, theater, and ritual are intertwined. Music in Bali is enhanced by eyewitness accounts of local performances, interviews with key performers, and vivid illustrations. Packaged with a 70-minute CD containing examples of the music discussed in the book, it features guided listening and hands-on activities that encourage readers to engage actively and critically with the music. |
Contents
Historical Periods Degrees | 17 |
Materials Tuning and Timbre | 28 |
The Explosive Twentieth | 36 |
Copyright | |
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Common terms and phrases
accompanies ACTIVITY angsel arts associated audience Bali Balinese bamboo beat beginning bronze called CD track century ceremony changes chapter character colotomic meter composed composition created cues cultural cycle dalang dance dance drama dancer drum ensemble enter entire example figure final follow four gambuh gamelan gong gangsas gender wayang genres gods Gold gong kebyar hand hear important instruments interlocking Javanese Jaya kempur keys known kotekan legong linked listen male mallet meaning melody metallophones mode mood move movement musicians pair pattern performance periods piece pitch played players points pokok present puppet Records refer repeating reyong ritual role sacred selisir Semara sense shadow single slow sound story strikes style temple tempo term texture theater tone topeng traditional tuk tuk tuk tuning ugal village wayang