Music in Bali: experiencing music, expressing culture
Music in Bali is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. Itsets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic fora list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Bali introduces the ensemble tradition of Balinese music, reflecting cooperative aspects of the island's social organization. Drawing on many years of study with Balinese performers in the United States and extensive fieldwork in Bali, author Lisa Gold presents contemporary Balineseperformance within its cultural and historical context, linking Bali's rich past to its current role in modern, globalized society. She illustrates how new compositions borrow material from earlier traditions while also allowing for individual expression and innovation in vibrant present-dayculture. By describing various performances--from a temple ceremony, to a shadow puppet performance, to a masked dance drama--Music in Bali surveys a wide range of performance contexts, from the highly sacred to the secular. It looks at the interconnected layers of the Balinese musical tradition,showing how the island's music, dance, theater, and ritual are intertwined. Music in Bali is enhanced by eyewitness accounts of local performances, interviews with key performers, and vivid illustrations. Packaged with a 70-minute CD containing examples of the music discussed in the book, it features guided listening and hands-on activities that encourage readers toengage actively and critically with the music.
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Materials Tuning and Timbre
The Explosive Twentieth
Keyed Instruments Metallophones
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ACTIVITY angsel audience balaganjur Bali Balinese music bamboo Bapang barong batel beats bronze CD track ceng-ceng ceremony chapter colotomic meter composition cues cultural dalang dance drama dancer Dewa Putu drum patterns drummer figure full ensemble gambuh gamelan gong gede gamelan gong kebyar gangsas gender wayang genres gilak gineman gong cycle gong gede gong patterns gong-chime hear Indonesia instruments interlocking Java Javanese Jaya Semara jegogan jublag kajar Kawi Kecak kempli kempur Ketut keys klentong kotekan kreasi Ladrang legong Lisa Gold listen Mahabharata mallet masked melody metallophones mood movement musicians Nyoman Nyoman Windha odalan palegongan pangawak pangecet Panji panyacah pelog performing arts Photo by Lisa piece pitch players pokok polos Ramayana rebab reyong ritual sacred sangsih selisir semar pagulingan seven-tone shadow puppet Sinom Ladrang slendro sound story strikes suling temple tempo texture timbre topeng Topeng Keras trompong tuk tuk tuk tuning ugal village wayang kulit Windha