Goth: Undead Subculture

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Lauren M. E. Goodlad, Michael Bibby
Duke University Press, Apr 11, 2007 - Social Science - 442 pages
8 Reviews
Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences.

The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.

Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock

  

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Review: Goth: Undead Subculture

User Review  - Rachel Pollock - Goodreads

A compendium of academic essays covering a wide range of topics pertaining to the goth subculture. They range from dense sociological/anthropological analyses written from an observational POV, to ... Read full review

Review: Goth: Undead Subculture

User Review  - Isaac Holloway - Goodreads

The text has some accessibility issues that at times makes it an annoying read particularly if your not gripped by a particular chapter's subject. However, The some excellent insightful chapters here ... Read full review

Contents

Genders
20
On the Art of Gothicizing Gender
79
Androgyny and Ethics in The Crow and Fight Club
89
Performances
121
Localities
171
Artifacts
233
A Conversation with Valerie Steele
257
Remediation and Nostalgia in Tim Burtons Edward
277
Bram Stokers Hold on Vampiric Genres
293
Communities
303
The Cure the Community the Contempt
316
Religion and Parareligion in U K Goth Culture
357
Gothic Fetishism
375
The Aesthetic Apostasy
398
4O5 REFERENCES
405
Copyright

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About the author (2007)

Lauren M. E. Goodlad is Associate Professor of English and a member of the Unit for Criticism and Interpretive Theory at the University of Illinois, Urbana-Champaign. She is the author of Victorian Literature and the Victorian State: Character and Governance in a Liberal Society.

Michael Bibby is Professor of English at Shippensburg University. He is the author of Hearts and Minds: Bodies, Poetry, and Resistance in the Vietnam Era and the editor of The Vietnam War and Postmodernity.

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