Popular Musics of the Non-Western World: An Introductory Survey

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Oxford University Press, 1990 - Music - 287 pages
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Reflecting the growing interest in popular music from the developing world, this unique book is the first to examine all major non-Western urban music styles, from increasingly familiar genres like reggae and salsa, to the lesser-known regional styles of Latin America, the Caribbean, Africa, the Middle East, non-Western Europe (Greece, Yugoslavia, Portugal), Asia, and the Near East. Manuel establishes parameters that distinguish popular music from both folk and classical music, defining popular music as music created with the mass media in mind and reproduced on a large scale basis as a salable commodity for wide public consumption. While emphasizing stylistic analysis and historical development, he also treats the diverse popular musics as sites for the negotiation and mediation of the dialectics of nationalism and acculturation, tradition and modernity, urban and rural aesthetics, and grassroots spontaneity and corporate or bureaucratic manipulation. With its encyclopedic syntheses of earlier studies and extensive original research, Manuel's book will be an invaluable source for general readers and students of ethnology, popular music, and contemporary culture.
  

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Contents

Perspectives on the Study of NonWestern Popular Musics
1
Popular Music and the Mass Media 4 Mass Music or Peoples
19
Modem Cuban Dance Music 32 Cuban Popular Music since 1959
36
Africa
84
Europe
115
The Arab Middle East by Virg1nia Dan1elson
141
The NonArab Middle East
161
South Asia
171
The Pac1f1c
236
Notes
244
Glossary
266
B1bliography
281
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About the author (1990)

Peter Manuel is at Columbia University.

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