Three

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New American Library, 1964 - Fiction - 447 pages
11 Reviews

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Review: 3 By Flannery O'Connor: Wise Blood / A Good Man Is Hard to Find / The Violent Bear It Away

User Review  - Sarah Skinner - Goodreads

Excellent writer if short stories. I read this book while camping in the backcountry. Not the best choice for that trip, as I found myself increasingly terrified of small noises in the woods :) I would suggest reading it in town. Her stories are a bit unsettling as it is. Read full review

Review: 3 By Flannery O'Connor: Wise Blood / A Good Man Is Hard to Find / The Violent Bear It Away

User Review  - Adam Cherson - Goodreads

I rate this book a 3.86 on a scale of 1 to 5 with 5 being best. Read full review

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Contents

A GOOD MAN IS HARD TO FIND
129
THE RIVER
144
THE LIFE YOU SAVE MAY
160
Copyright

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About the author (1964)

Flannery O'Connor was born in Savannah, Georgia. She had a quiet, bookish life as a child before attending Georgia State College for Women and going on tot he Writers Workshop at the State University of Iowa, where she earned a Master of Fine Arts degree. Her 1949 dissertation consisted of six short stories, one of which she developed into her first novel, Wise Blood (1952). Wise Blood is the story of a fanatical, wandering preacher who sets out to found a "church of truth without Jesus Christ crucified." The book introduces some of the religious themes that run throughout O'Connor's later work. Her second novel, The Violent Bear It Away (1960), is the story of murder involving a Tennessee backwoods preacher and a small boy. Once again, O'Connor explores unusual manifestation of religion and human eccentricities. Although O'Connor produced only a small body of work during her relatively brief lifetime, she has received much critical attention. O'Connor suffered from lupus, an inherited disease, which crippled her and cut short her life, and so her creative work was largely compressed within a decade of the 1950's. She is frequently praised as being the most creative and distinctive writer of this period. The two most notable aspects of her fiction are its religious themes and its commentary on the oppressive traditions of the mid-twentieth-century Deep South.

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