Looking at the Overlooked: Four Essays on Still Life Painting

Front Cover
Reaktion Books, 1990 - Still-life painting - 192 pages
1 Review
Historically and culturally, the societies that produced still life painting could hardly be more diverse. What is it, then, that allows us to place such different types of image in a single category? Norman Bryson argues that the family resemblances between the different types of still life stem from their common portrayal of a level of material culture that retains its fundamental outlines through long spans of time and across the boundaries and divisions of national culture: the culture of domestic routine and the rituals of hospitality. How this 'low plane reality' is historically viewed and inflected by the 'higher' levels and discourses of the surrounding culture is the fundamental subject of this book.

What people are saying - Write a review

Review: Looking at the Overlooked: Four Essays on Still Life Painting

User Review  - Cecelia - Goodreads

Had to read it for a class. Read full review

Review: Looking at the Overlooked: Four Essays on Still Life Painting

User Review  - Wolfram - Goodreads

I just love the way this is written. Look at this: ...the forms of still life have enourmous force (jug, jar, bowl, pitcher). As humnan time flows around the forms, smoothing them and tending them ... Read full review

About the author (1990)

Bryson is chair of history and theory of art at the Slade School of Fine Arts, University College London.

Bibliographic information