Routes and Roots: Navigating Caribbean and Pacific Island Literatures (Google eBook)

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University of Hawaii Press, 2007 - Literary Criticism - 334 pages
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Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.
  

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Contents

Middle Passages Modernity and Creolization
51
Vessels of the Pacific An Ocean in the Blood
96
Dead Reckoning National Genealogies in AotearoaNew Zealand
161
Adrift and Unmoored Globalization and Urban Indigeneity
196
Landfall Carib and Arawak Sedimentation
229
Epilogue
269
Notes
273
References
297
Index
325
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Page 52 - In the literary artistic chronotope, spatial and temporal indicators are fused into one carefully thought-out, concrete whole. Time, as it were, thickens, takes on flesh, becomes artistically visible,- likewise, space becomes charged and responsive to the movements of time, plot, and history.
Page 5 - Prefer what is positive and multiple: difference over uniformity, flows over unities, mobile arrangements over systems.
Page 63 - History is built around achievement and creation; and nothing was created in the West Indies'.

About the author (2007)

Elizabeth M. DeLoughrey is an associate professor of postcolonial literatures in the Department of English at Cornell University.

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