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abstract form adapted aesthetic Alain Resnais angular displacement appear art form artists become Calder canvas century character cinema color constant continuity create creative Cubists culture Dadaism developed direction dynamic E. G. Boring effect elements environment evolution example exhibition experience expression field film frame Futurists Gabo Galileo George Rickey GYORGY KEPES human J. J. Gibson Jackson Pollock Jean Tinguely kinetic art light means mechanical ment mobile modern motion perception motor movement moving nature object object-relative displacement observer organization orientation painter painting path pattern perceived motion perception perspective physical possible problem produce psychological qualities Realist Manifesto reality relation rhythm rhythmic scale scroll sculpture seen sensation sense sequence shape shot social space spatial speed static stimulation structure style surface texture theory things tion traffic transformation velocity Victor Vasarely Viking Eggeling vision visual perception Visual World York