Apocryphal Lorca: Translation, Parody, Kitsch (Google eBook)

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University of Chicago Press, Aug 1, 2009 - Literary Criticism - 240 pages
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Federico García Lorca (1898–1936) had enormous impact on the generation of American poets who came of age during the cold war, from Robert Duncan and Allen Ginsberg to Robert Creeley and Jerome Rothenberg. In large numbers, these poets have not only translated his works, but written imitations, parodies, and pastiches—along with essays and critical reviews. Jonathan Mayhew’s Apocryphal Lorca is an exploration of the afterlife of this legendary Spanish writer in the poetic culture of the United States.

            The book examines how Lorca in English translation has become a specifically American poet, adapted to American cultural and ideological desiderata—one that bears little resemblance to the original corpus, or even to Lorca’s Spanish legacy. As Mayhew assesses Lorca’s considerable influence on the American literary scene of the latter half of the twentieth century, he uncovers fundamental truths about contemporary poetry, the uses and abuses of translation, and Lorca himself.

 

 

  

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Contents

1 Federico García Lorca Himself
1
2 The American Agenda
22
Langston Hughes to Paul Blackburn
53
4 The Deep Image
78
Robert Creeley and Jack Spicer
102
6 Frank OHaras Lorcaescas
122
Parody and Pedagogy
143
The Lorca Variations
160
An American Lorca?
175
Notes
183
Bibliography
205
Index
215
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About the author (2009)

Jonathan Mayhew is professor of Spanish at the University of Kansas. He is the author of four books, most recently of The Twilight of the Avant-Garde: Spanish Poetry, 19802000.

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