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acted action admiration alteration ancient appeared Aristotle asserted audience belief Ben Jonson blank verse brought censure character chorus classical classicists comedy comic conform consequence contemporaries controversy Coriolanus criticism Dennis disregard doctrine drama dramatist Drury Lane Dryden effect eighteenth century Elizabethan English stage Essay exhibited expressed fact faults favor feelings felt followed French frequently Furthermore Garrick genius Gildon Greek Hamlet humorous ignorance instance Jonson King Lear later Lear literature London Macbeth matter modern moral nature never observe the unities occasionally opinion Othello particular passion period personages piece Plautus play playwrights poet poetic justice poetry practice preface Printed produced prologue propriety regard remarks representation represented Restoration Romeo and Juliet rules ryme Rymer Sadler's Wells Theatre scenes Shake Shakespeare Sophocles sort success taste Tate theatre Theatre Royal things tion took tragedy tragi-comedy tragic true truth violation Voltaire words writer written wrote
Page 149 - But besides these gross absurdities, how all their plays be neither right tragedies, nor right comedies, mingling kings and clowns, not because the matter so carrieth it, but thrust in clowns by head and shoulders, to play a part in majestical matters, with neither decency nor discretion, so as neither the admiration and commiseration, nor the right sportfulness, is by their mongrel tragi-comedy obtained.
Page 389 - I cannot reconcile my heart to Bertram ; a man noble without generosity, and young without truth ; who marries Helen as a coward, and leaves her as a profligate : when she is dead by his unkindness, sneaks home to a second marriage, is accused by a woman whom he has wronged, defends himself by falsehood, and is dismissed to happiness.
Page 4 - Muses' anvil, turn the same (And himself with it) that he thinks to frame, Or for the laurel he may gain a scorn, For a good poet's made as well as born; And such wert thou. Look how the father's face Lives in his issue; even so, the race Of Shakespeare's mind and manners brightly shines In his well-turned and true-filed lines, In each of which he seems to shake a lance, As brandished at the eyes of ignorance.
Page 325 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Page 20 - Now ye shall have three ladies walk to gather flowers, and then we must believe the stage to be a garden. By and by we...
Page 4 - Yet must I not give nature all; thy art, My gentle Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion; and, that he Who casts to write a living line, must sweat (Such as thine are) and strike the second heat Upon the Muses...
Page 31 - First, if it be objected, that what I publish is no true poem, in the strict laws of time, I confess it : as also in the want of a proper chorus ; whose habit and moods are such and so difficult, as not any, whom I have seen, since the ancients, no, not they who have most presently affected laws, have yet come in the way of.
Page 104 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...