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Common terms and phrasesabhasa Abhinavagupta advaita of art Advaita Vedanta aesthete's aesthetic experience aesthetic form aestheticians ananda Anandavardhana anumana ardhanarisvara art experience art forms art object artha aspects beauty becomes bhakti Bharata Bhartrhari bhoga brahman classical Indian concept consciousness consort consortship Coomaraswamy cosmic Purusa creation creative Dehejia Delhi determinate cognition dhvani dhyana divine duality dynamics emphasising epistemic epistemology exalted Gitagovinda Ibid implications important Indian aestheticians Indian aesthetics Indian art Indian artist Indian tradition inner inquiry Kasmlr Saivism kavi kavya knowledge Kramrisch Krsna language levels of meaning Mammata margi tradition metaphysical mind Motilal Banarsidass myth natya paroksa paroksartha ParvatI philosophy poetry pramana Pratyabhijha pratyaksa prepared aesthete Rabindranath Rabindranath Tagore Radha rasa rasa experience rasika realisation Rg Veda rupa sabda sacred sadrsya Saivites saksatartha Sakti sastras says secular sense silpa Siva sphota Sri Aurobindo superficial symbol Tagore term transcendent Upanisad Vakyapadiya Vedic vimarsa Vimarsirii visranti visual words yajha yantra References to this bookFrom other books
From Google ScholarShifting From a Constructivist to an Experiential Approach to the ...C Jason Throop - 2000 - Journal of Consciousness Studies Valg Og Vurdering Av Kunstbilder I KrlGeir Winje References from web pages01_(i - xxvii).p65 VALG OG VURDERING AV KUNSTBILDER I KRL Bibliographic information
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