Chaplin in the Sound Era: An Analysis of the Seven Talkies

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McFarland, Jan 1, 1997 - Performing Arts - 322 pages
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Though Charles Chaplin is commonly remembered as a silent film comedian, it is not widely recalled that he continued to make movies long after the introduction of sound. His sound films have often been overlooked by historians, despite the fact that in these films the essential character of Chaplin more overtly asserted itself in his screen images than in his earlier silent work.
Each of Chaplin's seven sound films--City Lights (1931), Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967)--is covered in a chapter-length essay here. The comedian's inspiration for the film is given, along with a narrative that describes the film and offers details on behind-the-scenes activities. There is also a full discussion of the movie's themes and contemporary critical reaction to it.
  

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Contents

Prologue
1
City Lights
47
Modern Times
77
The Great Dictator
113
Monsieur Verdoux
147
Limelight
189
A King in New York
223
A Countess from Hong Kong
253
Epilogue
281
Notes
293
Bibliography
309
Index
315
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