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THE HARMONY OF COLORS
THE HARMONY OF COLOR FORMS
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19 and Color afterimage analogous colors areas Art Institute art of color artist and designer beauty blue theory Camille Pissarro chapter chromatic light Claude Lorrain color arrangements color effects color expression Color Forms color harmony Color Plate IV Color Plate VII color schemes color triangle combination of pure complementary complements composition Contrast of Colors cool colors Couleurs Courtesy deep dominant tint dyes effect of luster Ewald Hering Faber Birren Figure 19 Figure 36 Figure 45 green Harmony of Color highlight History of Color human perception Institute of Chicago intermediate iridescence J. M. W. Turner luminosity M. E. Chevreul Munsell nature Neo-Impressionism opposite orange and blue Ostwald painter Paul Signac Philipp Otto Runge physicist pigments pink primary red psychological pure color pure hues purple red-violet Refer to Figure Robert Delaunay sensations sequence shade shadow simultaneous contrast spectrum split-complements transparent turquoise vermilion Wilhelm Ostwald Wilhelm von Bezold world of color